Multi-instrumentalist and composer David ‘Dijf’ Sanders has developed a distinctive and adventurous musical language, characterised by an open-minded approach and a strong sensitivity to sound and context. He has collaborated with artists including Warhaus, Sylvie Kreusch, Mattias De Craene and Wim Vandekeybus, while simultaneously building a strong body of solo work.

His music often originates from travel and encounters. For Java (2017), he travelled to Indonesia, while a later stay in Nepal formed the basis for Puja (2020), a layered and ritualistic universe in which field recordings, monastic chants, repetitive structures and electronic textures converge.

With Tangkoa II (2026), Sanders continues this trajectory. Inspired by Vietnam and other Asian influences, he creates an organic electronic landscape in which nothing is ever entirely fixed. Samples, synths and live effects form an ever-evolving composition, driven by improvisation, trance-like rhythms and a subtle fusion of jazz and electronic music.